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Brilliant, unique sci-fi and myth tales that includes courageous and impressive heroines

13 city and paranormal stories of sturdy girls, armed with guns they don't seem to be afraid to exploit, in addition to fists and toes of fury, who face monsters and undesirable guys-and are usually not above rescuing males within the approach.

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It's tough to think that mine is the 1st & to this point purely evaluate of this notable quantity of brief tales . .. or fabulations . .. or ficciones, as Borges could name them. regardless of the selected label, it's transparent from the beginning that it is a distinct, erudite, darkly witty voice in twentieth century fiction. Landolfi stakes out his personal territory that straddles the glorious, from Kafka & the Surrealists, to then-contemporary New Wave science-fiction, to either the modernist absurd & the conventional fantasy. for example, the Cancerqueen of the name tale is a spaceship creating a wild trip to the moon, in a novella that's parody, literary homage, and anti-fiction all at once.

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more consultant that "great"--so it depends upon what you will want.

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Additional resources for A Girl's Guide to Guns and Monsters

Sample text

Acknowledging their homelessness, the Russian intelligentsia sought compensa­ tion in a religion of humanity. Thus arose their unlimited ethical demands, addressed, however, not to an individual but to a social milieu responsible for the pollution of an inherently good human nature. This motif reappears today in contemporary lay humanism with its longing for the end of alienation and thus, in fact, for the fulfillment of time, because that dream cannot be satisfied by anything less than the advent of a political system that main­ tains itself without any restraints and institutions.

The lie is tanta­ mount to demanding that both what is God's and what Caesar's be rendered unto Caesar—a citizen may be happy, but only at the price of complete obedience in all his thoughts and deeds. The disobedience of the Christians is, for Solovyov, a test thanks to which the ruler of genius reveals who he really is. Comparing the manuscript of Pansopheus with science fiction allows us to treat the time of writing as a set of possibilities appraised by the writer. Though explosive devices were being rapidly perfected in the nineteenth century, Jules Verne's con­ temporaries in general did not believe that such devices could land a man on the moon and read novels on that subject as amusing fables.

In 1918 he returned to independent Poland, where he lived mostly in Zakopane and Krakow. The experience he acquired was of an exceptional scope—in art, in life, in historical situations. " Przybyszewski proclaimed a manifesto in 1899 of the absolute supremacy of art over any other human activity and its complete independence from moral, social, or political considerations. Today his formulas sound curiously pre-Freudian: "in the beginning there was lust"; art is an outflow of the "naked soul" uniting man with the unconscious life of the universe.

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